Study for a vase in the shape of a tree trunk with a female figure

This pencil sketch on paper shows a study for a vase in the shape of a tree trunk from which a naked female figure emerges. In the Museo Ginori collections there is a white porcelain version of the same composition, which almost faithfully reproduces the drawing, except for the pose of the figure’s right arm (inv. 7467). It is interesting to observe how, initially, the illustrator sketched this detail in two different positions: one more closely matching the ceramic version, with the arm raised to the forehead, and the other, later traced over and made final, with the arm lowered and moved away from the side.

The image, which seems to take on an almost symbolic meaning, with the small figure emerging from darkness into light, reflects the Doccia factory’s adherence to the Art Nouveau style in the earliest years of the twentieth century. The artistic director Luigi Tazzini had the opportunity to see porcelain creations in the Art Nouveau style from various European factories at the 1900 Universal Exposition in Paris and, upon returning to Doccia, introduced new ideas derived from the new decorative trends.